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This film is a romantic comedy about a stewardess (Calhoun), who after 12 years of dating (Joseph) as college sweethearts (along with several marriage proposals in between), meets a business man going through a divorce (White) on one of her job layovers. As expected, sparks fire and unexpectedly a traumatic past is revealed, and the couples lives are changed for ever.
On Christmas weekend in a quaint Texas hotel, JOE BINGHAM, runs into the love of his life, AMY WALKER, the one that got away, she’s visiting home for the holiday. The kick is, it’s on the eve of Joe’s white-winter wedding nuptials to DAISY SPUR, the girl next door who he’s settling for. So, Joe has one night to find out if there’s a chance he can get back together with Amy before he marries Daisy with no regrets.
Eleven-year-old Oliver has a unique ability to see “full-bodied apparitions,” otherwise known as ghosts. When his family moves from the bustling city to an older home in the suburbs, only Oliver is able to see the spirit of Clive Rutledge (Martin Mull), the previous owner. Clive causes every manner of destruction to force Oliver and his family to leave. But perhaps Oliver’s special talent, along with the help of a kind neighbor (Rhea Perlman), will show Clive how to release his earthly regrets so he can leave the house and the family in peace.
The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.
When single mom Megan Nolan moves to a new town, she feels guilty for uprooting her ten-year-old daughter Caitlin. Seeing that the little girl’s only friend is a neighbor’s dog, Megan decides to adopt a shelter pet for Caitlin. She immediately regrets her decision when Caitlin gravitates to the biggest, sloppiest dog in the pound, Jake. Megan’s beautiful new home is now in shambles and, as Megan considers returning Jake to the shelter, handsome ballplayer Ben shows up claiming Jake is his dog, the regrettable outcome of his roommate leaving a gate open. Megan and Ben butt heads. Ben wants to take his dog and leave, until he sees that Caitlin loves Jake as much as he ever could. Now it is clear: the pound puppy everyone loves deserves no less than joint custody.
Based on Mary Shelley’s novel, “Frankenstein” tells the story of Victor Frankenstein, a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It’s not long before Frankenstein regrets his actions.
When a famous writer (Huang Bo) decides to have his memories wiped to forget a divorce, he regrets it. Attempting to recover the memories, he becomes haunted by psychopathic thoughts, acting out in ways both he and those around him could never imagine. A companion film to director Leste Chen’s 2014 film The Great Hypnotist.
If Paris is the city of lovers, it is also that … ex! Antoine does not dare to commit, Didier regrets his ex-wife, Father Laurent must celebrate the marriage of his ex, Julie, Serge is harassed by Lise, the ex of his girlfriend of the moment, while Greg consoles With the dog … of his ex! So many characters whose lives will be telescoped in a joyful disorder and who could fall back in love! But of whom? Whether they obsessed us or loved to hate them, deep down, it is difficult to forget their ex!
TV drama based on Richard Burton’s diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward’s comedy ‘Private Lives’, although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.
